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Cesare Lacca (Italy)

Born in Naples in 1929, Italian architect-designer Cesare Lacca created modernist furniture and metalwork throughout the 1950s. Though details of his personal life and professional training remain lost to history, there are sufficient surviving primary sources that document his many elegant designs in brass—work for which he is best know and which fetch high prices from collectors.

Like many Italian designers in the 20th century, Lacca moved to Milan after World War II to launch his career. Before he was even 21 years old, his work was selected by a group of American curators for inclusion in the landmark exhibition Italy at Work: Her Renaissance in Design Today that toured 12 US museums between 1950 and 1953—the first major exhibition of Italian design outside of Italy. The exhibition showcased the best and brightest of Italian designers who had embraced modernist principles and rejuvenated traditional Italian crafts, like Carlo Mollino , Franco Albini, and Gio Ponti

In the exhibition catalogue, curator Meyric R. Roger’s spotlights Lacca's expert achievements in brass, noting “the variety and quality of his creations,” which “place him high among the architect-designers leading the current [Modernist] movement." Rogers adds, "The quality of his work...provide[s] all the decorative effectiveness needed without strain or exaggeration”. Lacca designed a great many tea carts and serving trolleys in his career—which make up a large proportion of what is available on the vintage market today—as well as magazine racks and coffee tables. Lacca’s most iconic tea cart was manufactured by Italian brand Cassina and features sculpted beech, cedar, teak, or walnut with brass details, a glass tabletop, and a removable glass tray.

Lacca also designed high-backed lounge chairs, which were regularly featured in Arredoluce advertisements for Angelo Lelli’s lighting. Incidentally, Lacca’s lighting designs—at least one of which was on display at the 1950 Brooklyn Museum exhibition— are difficult to source and often sell well above estimated prices at art auctions.

Almost all of Lacca’s known designs were created in the 1950s, and unfortunately we do not know how his career developed from the 1960s. Today, Cesare Lacca is appreciated for his contribution to the Italian design identity; his ability to fashion brass into the Italian postwar design conversation; and his timeless, highly sought-after serving trolleys.


Jonathan Amar Studio is a multidisciplinary studio created in 1989 with offices in Paris and Rabat and production units split between Morocco and Portugal.
We produce bespoke brass lighting, furniture and accessories with a style characterized by the double ambition of being modern and familiar, universal yet poetic. Our know-how stems from combining traditional materials such as wicker, rattan and leather with brass and glass through meticulous workmanship.

Our activities are split into three domains:
- Design studio
- FF&E manufacturing
- Interior design consultancy

Our bespoke collections represent 35 years of passion and know-how in the fields of decorative arts and interior design.

Over these years we have built a strong ecosystem within Moroccan and Portuguese artisanries with the aim of perpetuating their cultural heritage.
Each product design is made-to-measure and adapted to all types of clients and professionals for small and large scale projects. All items are made-to-measure and available upon order.

Jonathan Amar also works as a consultant for international design firms with luxury projects in Morocco where his studio oversees artisanal production units.

Projects include: Royal Mansour, Les Bains Douches, Comptoir Marrakech, Renaissance hotel, Castel, Nobu, numerous Costes restaurants and bars in Paris, Momo's and Sketch in London, Aroma Café in Bahrein, Club Med suites, Saint James hotel, many Starck hotel and restaurant projects and more.

Clients: Soho House, Ken Fulk, David Scott Interiors, Damon Liss, Charles and co, Studio Ashby, Jonathan Adler, Nate Berkus, Kelly Wearstler and many more.


Handcrafted between France, Portugal and Morocco with exclusive French and Italian resources, our pieces honour the relationship between meticulous workmanship and quality materials through the thickness, finishes and fixtures of each creation.
Due to the handmade nature each piece is unique and might vary slightly in finish.


Brass, the central element of most creations, is available in an array of finishes: nickel-plated, polished, varnished or aged.
The finish you select and the way you care for your purchase throughout the years results in one of a kind pieces. Since Brass is a metal that works well with a multitude of materials, our studio associates it with a unique palette of colours and textures.
Fabric and wicker are used to design lampshades; mosaics and marbles form table tops and bases; lamp stems are sheathed in hand pleated leather by artisan saddlers. Hand-engravings, the iconic know-how of our atelier, are available on a selected number of models as an additional request.

Practical Lights

  • ·Built with a sophisticated pear shaped joint (patented design), extendible arms and functional handles.
    ·Equipped with optional latest led sensory dimming or wireless technologies.
    ·Available in a variety of sizes to cover all types of living areas.

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